There was an unofficial Metroid 2: Return of Samus remake last year; a fangame. It was actually pretty incredible. Nintendo sent the guy a DMCA request and, surprisingly, announced their own Metroid 2 remake shortly after: Samus Returns, for the 3DS. Funny how that works; Metroid 2 came out in 1991, and then few people cared about it for like 25 years. Now we have two new versions. It gives us a pretty interesting way to compare and contrast.
Being on the 3DS hasn’t worked in the favor of the official game: the 3D graphics perform sluggishly at times (at least on my old XL), and the controls are brutal on my hands: Samus Returns has to be quite forgiving for anyone aiming with a circle pad, but AM2R felt extremely tight without bothering with the new free-aim stuff (which actually would’ve worked better with the real control stick I used to play it, or, say, in an official title on the Switch). And it’s no shock which of the two games has more profit-seeking junk getting in the way: I don’t want to buy plastic toys, not to mention the actual plug-in amiibo reader, to unlock all the modes and get all the energy tanks. And I won’t. (Besides, the old Castlevania games always had awesome postgame modes where you played as new characters with new moves, but here? Fusion Suit mode is just regular mode, but you take four times the damage. With these controls? Nah.)
I also noticed some slowdown in a few areas. No doubt this is less of a problem on a new 3DS or 2DS. On my old XL, it’s normally fine, except in cutscenes. In some areas deeper into the game, it gets worse. There’s one boss with two big grinders for arms — it’s actually kind of a neat fight, except for a badly communicated weak point and the 3D effects that drag the framerate down to a basically unplayable state. I don’t think the 3D graphics look very good anyway: if they had just done another sprite game with slightly retouched Zero Mission assets — as I assume AM2R did — I think it would’ve looked great and performed better. It’s a sad state of affairs when Nintendo’s releasing titles for their flagship series which barely run on the systems they are, officially, still coming out on. It’s not like I’m trying to play Xenoblade Chronicles here: this is not a New 3DS exclusive. As I already alluded to, it’s not like they can’t do Metroid sidescrollers on the Switch too, you know? Save the 3D for there, and give us some more pixel art.
I actually saved myself some thumb pain by using a homebrew app that sends control stick input from an xbox controller over wifi. This was really cool, and mostly worked well, but sometimes the wifi link would get spotty for a while — it seemed to get laggy whenever I needed it most. And once I got super missiles and found out I had to use the touch screen to switch to them, that made using an xbox controller a little more of a hassle. Still, whenever the going got tough (like with the aforementioned Big Grinder Arms guy) it helped a lot that I could change to a real controller for ten or fifteen minutes.
Samus Returns definitely isn’t afraid to break from convention, which is nice, because Metroid 2 was kind of crude; an almost blank slate to build upon. If you first look at the gameboy version’s map, and AM2R’s, they’re very close to the same size, but with three entirely new areas added in AM2R. These are probably the coolest parts of the game, but for the most part, as one would expect from a fangame, your path through SR-388 stays pretty faithful to the source material. Though I hardly remember much of my original Metroid 2 playthrough, I think AM2R just made some occasional adjustments to the maps to let you use Super Metroid power-ups that weren’t originally there: the general flow and shape of passageways remained unchanged. The map in Samus Returns, though, seems to completely do its own thing. It’s several times bigger. The designers did whatever they wanted.
Some of these changes are nice. Some are problematic, though, like the fast-travel stations. Teleportation points aren’t worth crying about, but it’s better to have an interconnecting map; when you can just warp to earlier areas, it feels like cutting corners. AM2R’s means of getting back to old areas later — by getting shot through cannons into directly vertically or horizontally aligned rooms far away — was much more clever. I feel the same way about the scan pulse: while it sucks when a game hides things in random tiles and you have little chance of finding everything unless you play with a guide open, I think most Metroid games have already been smart enough about showing the connections to unvisited rooms, and marking which ones still hold power-ups you haven’t collected. As long as the game is straightforward enough about which tiles can be blown up, something like a scan pulse should be unnecessary, and I think putting it in there takes some of the responsibility off the level designer to keep puzzles sensible.
Even with this “corner-cutting” designer handicap, though, I had to look up how to get past one type of obstacle: the ones you propel yourself past with power bombs. The idea that you’ll only get launched if you’re using the spider ball to secure yourself just never occurred to me after realizing it did nothing in non-spider form; it’s the kind of thing that they should’ve tutorialized by locking you into a room right after you get the power bomb, making you use it (both horizontally and vertically) to get out. AM2R had some head-scratchers, but everything was communicated clearly. I don’t like looking things up in a Metroid game.
It’s a tough game, even with changes that can make it feel casualized. Power-ups even get sucked in when you’re not holding a charge beam now, which is a little sad. More to the point, though, you can continue from outside of a boss door when you die now. In exchange, though, those bosses tend to be more than you can possibly take without several practice runs, and even then will test your limits, mainly because getting hit by the wrong attack can empty three energy tanks when you have maybe seven total. Blame the framerate and thumb pad if you want, I certainly will, but either way some of those encounters (like Big Grinder Arms guy) took me half a dozen tries. These fights can last several minutes, too.
But to speak some more on departures from the traditional mechanics, let’s get to the obvious one: they gave Samus a melee bash that parries enemies, which is about as out-there as it gets. It’s neat, but you have to play a little too reactively, and I’m not sure that’s the right fit for Metroid. When you’re up close already and need some breathing room, it makes sense to have it, but enemies take far too many hits to die when you’re not killing them with a parry and counter-blast. If you’re not already in a position the enemy will attack from, you have to go out of your way to line one up, making yourself unnecessarily vulnerable, so I found myself resenting the addition at times. It may have been smarter to simply avoid those enemies, but I find you’re usually hungry for at least one kind of ammo or health pickup, or you’re still checking out the room and don’t want to leave the threat there, so it’s best to kill everything outside of a speedrun.
It’s admirable that the game doesn’t try to sell itself purely by repackaging the old, though as I say this I actually feel contradicted by the use of the Lower Norfair music used in the lava areas, which wasn’t actually part of the series until the third game. It seems to have been thrown into Metroid 2 retroactively, for a kind of backwards application of nostalgia. Of course this is a nerdy thing to get mad about, but what better time to actually expand the repertoire of Metroid themes than when you’re going back to a time when there was so little to build from? Like Super Metroid itself did, with such incredible results? (I’ll make an exception for Ridley’s fight music, though a new version of his NES lair theme could’ve been cool too.)
It seems that the only place where Samus Returns and AM2R both really stick to the Metroid 2 gameplay is in throwing in dozens of repeat fights against the same metroid minibosses; first the alpha, then the gamma, zeta, and omega life stages. Both remakes added several of their own completely new bosses, and both got pretty creative there, though Samus Returns definitely goes the extra mile in boss complexity — it probably says something about my preferences as a whole that during a few boss fights in the 3DS game, I found myself thinking about how cool it would be if someone added them to AM2R in a patch. But the miniboss repetition doesn’t seem like something that really needed to be preserved, and we could’ve tried fighting just one metroid at each stage of life — maybe then throwing in a gauntlet of each in a row near the end? — and just getting to kill some more metroids scattered around in their iconic larval state elsewhere — especially in Samus Returns, with its deeper interest in change.
Super Metroid is my favorite Metroid; I think the series only had the barest inkling of what it was supposed to be before then, and it’s lost that inkling numerous times since. I still haven’t played Zero Mission, but it’s safe to say that for players with no existing associations or attachments, AM2R was up there with the best of them, doing what the series has always been praised for, and for bonus points it did it on the best possible hardware, which is to say PC. But this isn’t a review of AM2R. Samus Returns fluctuates between bold and formulaic, but in both the old and the new, it’s a mixed bag. On better hardware, I might have called it a very good game.